Driving home from Boats and Bluegrass, a music festival held
along the banks of the Mississippi in Winona, Minnesota, the hills of the
Driftless Area sucked me in. Twisting and turning along the roller coaster back
roads, rows of corn alternating with beans or alfalfa hung onto the uneven
terrain with quiet farms breaking up the landscape. The steepest areas and most
of the ridge tops were covered in trees, seemingly capping the hillsides and
valleys. The trees holding firm in land unfit for the plow. The farm fields
turned to harvest brown, waiting for the combine to take what they have worked
so hard to grow since May. The forests were showing the first signs of autumn
with muted greens and a spectrum of yellow dotting their leaves.
My car hugged the corners of the country roads as a smile crept
across my face. My mind wandered back to the music, the people, the good times.
The festival. It was the 11th Boats and Bluegrass and my 6th
year of attending. The first year I went I was doing a bluegrass radio show in
Eau Claire and the folks running the festival were trying to get the word out.
The crowd was small, but music great. Since then, Boats has grown to a sold out
experience. The campground fills early on Thursday, as everyone clamors to get
back to a weekend they look forward to all year.
Over the years, I’ve reconnected with old friends and met new
ones, slowly growing into a community of folks to party with. This year,
though, I was a little ambivalent heading into the weekend, time on the road
and my lack of enthusiasm for the bands on the festival poster dampened my
excitement. Once I arrived at the campground, all my worries drifted away and I
basked in the good vibe and great music.
But no matter how fantastic the music is, it is the people that
make the festival.
The friends I camped with this year were all people I met
through my friend Greg whom I met at a wedding in Mexico (obviously). I see
most of those folks only once a year at Boats, but I feel so wholesome, so perfect
when we embrace at first sight. Stephie and Alison and Eric and Ben and Amy and
Brittany and Moonbeam. All fantastic people I am honored to know. I aspire to
be as health and earth conscious as they are. (Judging by Boats, I have a long
way to go…)
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Greg showing off on the slack line at the 2014 festival |
A major component of Boats and Bluegrass is the boats part.
Five years of attending the festival and five years of only partaking in the
bluegrass portion. With a simple question this year, I ended that streak. My
buddy Greg asked if anyone wanted to go paddle so I yelped out an affirmation.
I brushed my teeth, grabbed beers and headed to the beach. I stood around his
canoe, watching his dog Agate play on land and in the water. Soon enough two
young women showed up (one with a ukulele) and we struck up awkward
conversation (my forte). I then realized they were joining the canoe with Greg,
Agate and I.
Greg showed up and we shoved off, with the ladies (and Agate)
rolling low-rider in the middle. We began to paddle into the backwater sloughs,
a shortcut to “the sandbar”. The pluck of the uke strings soon filled the air,
followed by the flowing voices of the ladies (Agate sat this one out). The
silver maples growing on the floodplain islands captured the sonorous float, reflecting
the music back towards the river for us to further enjoy. (Seriously, how can
you not relish lazily paddling along a river with a siren song floating up
around you, encapsulating and filling the experience?) I liked what was forming
- a musical barge.
We reached the back edge of the sandbar and piled out onto the
warm sand, making sure to grab the cooler before heading to river side, where
the party takes place. We were among the first festivalgoers to arrive, but
soon more appeared in kayaks, canoes and in fishing boats (the band). Agate was
excited at the opportunity to fetch branches, not little sticks, but 5-foot
long branches the size of your forearm. If he had a limit, we did not reach it
that day on the sandbar. Music floated by thanks to Sans Souci as I chatted
with friends. With the beer supply running dangerously low, we loaded into the
canoe and headed back.
Once on the mainland, I walked to the festival grounds, wanting
to check out Joseph Huber, a former member of the .357 String Band and one of
my favorites. He did not disappoint as I gulped down another beer.
The hard part of being at a festival is balancing drinking,
music, and sustenance, especially in the evening. Which band(s) are you willing
to miss to head back to camp and grab a bite to eat? The default is finding a
band you’ve never heard of (the unknown is, well, unknown) and eating. After
scouring the lineup, I waltzed back to camp, fired up the grill, had multiple
beers and conversed with whomever was present.
Some people plan extravagant meals; others plan to just make it
through the weekend. There is food available at Boats – good food at that – but
it’s way more fun figuring out how to cook bacon in a cast iron skillet above a fire ring.
The odd thing about spending the afternoon drinking on the
water and then folding it into an uninterrupted run of listening to music and
manning the grill was that it resulted in me becoming wasted (didn’t see that
coming). Rumors of my late night self floated through camp the next morning.
Perhaps I should take it easier on Saturday.
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Sans Souci playing at the sandbar |
Saturday morning arrived. I wandered around the campground,
slowly gaining sustenance from various friends. Bacon here, eggs there,
jambalaya here. An eating vessel was scarce for the jambalaya until a red solo
cup was spotted. Yeah, that would work. It did work perfect, especially when I
happened into another camp and they offered to fill it with a Bloody Mary (so
much for taking it easy). The bloody was just the beginning. On the way to my
tent (for a well-intentioned nap), I ran into the uke-playing girl from the
canoe ride the day before (apparently her name was, and still is, Abbie). She
was heading out in a kayak and asked if I wanted to join. Ahhh, shit. Yep.
Let’s do it. I packed up beers and headed out on the water.
The uke stayed at camp, but the lazy paddling did not. We
paddled a bit and then let the river take us until we were in danger of
colliding with a tree and even then barely managing to rescue the kayaks. It
was an afternoon of laughs, never reaching the sandbar (although we came within
sight of it).
With the frivolity of life on the water finished for the day, I
reset my mind for a great evening. I was jacked for the music Saturday night –
Hot Rize, Tin Can Gin, Horseshoes and Hand Grenades, the Last Revel and Los
Lobos.
With the Mississippi River in the background, silently flowing
south towards the Gulf of Mexico, Horseshoes and Hand Grenades played song
after song with a heart anchored in the waters of Wisconsin. The songs evoked a
feeling of John Hartford, whose songs plied the riverways for the past 40 plus
years, croaking about steamboats, rivers and, well, a lot of steamboats. The
best music is from the heart, with lyrics and music from the soul - what you
know most deeply. The boys from Horseshoes head out to a lake or river any
chance they get, casting their wares hoping to snag a big one, enjoying and
believing in life on the water. The band is still stretching their songwriting
chops, but it felt like the passing of a torch.
With the music of Horseshoes and Hand Grenades drifting
downriver to greet the folks of La Crosse and Dubuque, the bellows of the Last
Revel blew from the side tent. They were a band I “discovered” last year. Their
hard-hitting, old-time stringband style kept my rapt attention. The band looks
like they would be at home during the Civil War, but their music feels active
and fresh.
With the weight of a weekend filled with booze and scant sleep;
Los Lobos took the main stage to close out the festival. They were a band past
their heyday and out of their element, but still brought moments of fire. I
managed an hour of the set before I wafted off, searching for a campfire and
familiar plucks of a banjo or strong pulls of a fiddle. The moon was high and
sun close to the horizon before sleep settled in.
As the sun rose on Sunday morning, I took stock of a weekend
filled with the best parts of life. Nary a moment passed without a smile, laugh
or hug (or even a little love). We all have our happy places, the spots where
we feel centered, whole, accepted. Boats and Bluegrass may only happen once a
year, but its effect carries out for the rest of the year.
Water fits well with the lyrical nature of bluegrass and folk.
The music passes smoothly from note to note, never lingering for long. Like the
Mississippi, the river is always moving, even in the big pools formed by the
locks and dams. Bluegrass is the same way, seemingly pausing on a note, yet the
undercurrent is always flowing, pushing the song forward – to the next note, to
next year.